Tuesday, November 20, 2007

Time to Build a Soundtrack!!!


Now that the first cut of the film is done, I'm going to seriously start collecting music for the soundtrack. If you or someone you know is in an awesome band with some well-produced stuff to donate, then here are some ways you can contact me:

1) Send a demo CD and any press info to Warm Milk Productions Inc. PO Box 474 Lake Grove NY 11755
2) E-mail me that you're interested, and post the URL of any web sites or download links.
3) Message me through the Warm Milk Myspace Page.

If I use your music, you'll be required to sign a form which basically states that you gave me permission to use the particular song(s) for the film, and anything related to the film (like promotional videos). The form also states that the music was donated at no cost. Piece of cake, right? Spread the word...

Your music could be in a real motion picture!!!

I started looking for music a few weeks back and one obvious question I got is "What kind of music do you need?" Now that a rough edit is done, I can answer it much better. Right now, the film has temporary music tracks to help me better edit the scenes. I'll be replacing all of those tracks with donated music. Here are the tracks that are currently in the film:

1. Jon Brion - Knock Yourself Out
2. Weezer - Island in the Sun
3. Ivy - Edge of the Ocean
4. Siouxsie and the Banshees - Face to Face
5. South - Paint the Silence
6. Sigur Ros - Agaetis Byrjun
7. Damien Rice - Older Chests
8. Rogue Wave - Lake Michigan
9. Maria Mckee - If Love is a Red Dress
10. Joshua Radin - Only You
11. Shaimus - All of This
12. Keane - Somewhere Only We Know

Your music doesn't have to sound exactly like these tracks! This is just to provide a rough idea of what I can use for the film. If you know a band that sounds anything remotely like any of these, send them my way!

Thursday, November 15, 2007

Side Panels: Production Day 10

Huzzah, folks! Here is the last Side Panels minidoc that covers the production process. I'm only sorry I didn't get to shoot more video-diary goodness. To make it up for you, I promise a fun surprise at the end of this video.



I'm this close (holds fingers closely together) to completing the rough cut. I have pretty much one more scene to edit and then I can go back and start perfecting this baby. Adding music will be nice too. Getting music will be nice too. Stay tuned for more goodies...

Tuesday, November 13, 2007

Back in the Saddle

This last week was just a terrible week for me on all levels, so unfortunately I didn't get any editing done in all that time. Tonight I had a little time to log some footage, which is the first time I've done anything with the film since my computer troubles.

The scene I was working on tonight occurs toward the end of the film, but we shot it on our second shooting day. Putting the film together, I can see why some directors really strive to shoot a film as close to sequential order as possible. First, my actors all found their characters better toward the second half of the shoot, so any scenes from those days seem to have turned out slightly better performance-wise. Second, as a director, I got a better idea of the group dynamic and I was better able to do my part during the second half of the shoot too.

I'd like to say I'd film in order next time, but what comes first is budgeting both time and money, and that in turn leads to arranging your shooting schedule by location (in other words, you group your scenes together by location so you don't leave that spot and come back, which saves you both time and money).

The third act of the film is more dramatic than the rest, which makes it a little tougher to edit without a soundtrack to really smoothen out the flow. That's a reason why it seemed like I was shooting ahead with this so fast, and then slowed down immensely at the second plot point.

That's really it right now, sorry this wasn't the best update. I'm going to get back into editing this so that maybe I'll have some kind of cut to show to my family around Thanksgiving.

Tuesday, November 06, 2007

The Flying Spaghetti Monster Hates My Movie


"I’m so glad this crisis was averted, and let’s hope for a smooth post-production process from here out." - Me, one week ago

The Flying Spaghetti Monster has decided that my post-production should go as slowly as possible, so in his infinite wisdom, he has messed with my computer. This time, I'm having an operating system issue. In short, my Apple computer wasn't crazy about upgrading to the new Leopard OS, and it decided to stop letting me do stuff (thankfully the movie is safe on separate harddrives).

Tonight I spent pretty much the entire night at the Apple store while the Genius Bar tried to figure out what the hell was wrong with my compy. But they couldn't fix it. Flying Spaghetti Monster damn it! So we did the only thing we could . . . an erase and reinstall. I bought yet another external drive (a 120GB) to transport some important photoshop files and other documents. Then, the operating system was erased. And now, as we speak, Leopard is once again loading to the computer. Then I'll have to reinstall all of my programs. Gotta love it.

Today's hero of the day was Adam at the Apple Store, because he stayed late (nearly an hour past closing) to help me so I wouldn't have to leave the computer overnight (which would have brought on a cost of $150). Also thanks to my friend Tom who hung out with me there for three hours. This movie will get done. In the meantime, please be nice to me, I've had a rough few weeks.

On a completely random and unrelated note (gimme a break, it's a late), I had no idea until recently that Angelina Jolie was the girl in this Meatloaf video I used to see on MTV.



Sexy Update - Comp's working again, but I'm going to lose more editing time reinstalling all my programs.

Monday, November 05, 2007

Frequently Asked Questions

As people talk to me about this little movie-thingie (hey, did you know I made a movie?), I’m starting to seriously get hit with the same questions over and over again. As a result, here’s a special little FAQ blog entry, although I’m sure I’ll still be hit with these questions. If you have your own queries, feel free to drop them in the comments section.

What was the overall budget of the movie?
I can’t give a final budget yet because I’m still spending (money goes fast). Right now, I’d say we’re hitting about $16,000 roughly. The bulk of that went into the production costs, including crew. Most of the actors volunteered, and I didn’t pay for a single location (God Bless you, Golden Memories Comics & Toys). Another chunk of money went into insurance, and then the rest of the expenses were small things that added up fast (like lunches or props). Since I'm editing it myself, that's also saving some big bucks.

How did you afford this movie?
When I first planned on making the movie, I was going to go the investor route, and believe it or not, I had a guy who was interested. Eventually I went against the idea because I didn’t want to deal with an investor…the movie was going to be my burden and hopefully my financial reward. I have excellent credit, so I was able to get a loan from the Bank of America quite easily. I’ll be paying for this movie for the next few years but it’s not the most impossible task when you have a good job, you’re not married with children, you drive a crappy car, and you don’t own a home.

How’d you get your actors?
I wrote all about this in an earlier blog entry: I put up casting blurbs in Backstage (paid), Craigslist (free), Myspace (free), ActorsAcess.com (free), and a few other sites. They were all worth it…I got my lead Angela from a reference from my cousin who saw the Myspace ad, I got Jonathan from ActorsAccess, and Tim submitted a headshot from BackStage (I think…might be wrong on the last one).

How’d you get your crew?
Mike LaVoie came recommended to me as a Director of Photography from a friend who acted with him before. He and I teamed up, and he brought in the rest of the crew. His company is Counter Clockwise Productions, and he seems to get a lot of steady work from references alone.

How’d you get the comic store to let you film there?
I got the comic store by asking nicely. Man was I nervous though…I had already finished the script by that point and if the store said no, I might’ve just had to go write a new script. I will say that when the owner said “yes,” he was under the impression that it was a much smaller production (I didn’t purposely deceive him though, I would never do that). But he is an absolute kind soul and it’s still important to me to maintain a relationship with his business. I sent him and his family a nice thank you basket shortly after shooting and I try to get there every week for a kind hello.

“You must’ve been in Heaven while shooting this thing.”
Yes and no. I’ve already gushed about how awesome it was to work with great people, but while shooting, it was really hard to just stop and soak up the awesomeness of the whole thing. I was usually too busy doing three or four jobs at once and constantly troubleshooting. The stress at times brought out the worst in me, and at other times it brought out the best in me. I learned a lot about myself.

When will the movie be done?
Hard to say . . . I’m not racing for a specific deadline right now. I’ll say Spring 2008?

What are you going to do with the movie when it’s done?
Christ, I get this question the most. Basically, I’m going to show it to anyone willing to watch it and I’m going to send it to any address I find. I’ll submit to festivals big and small (from the Long Island Film Festival to Sundance), and I’ll send to networks (FX, HBO, etc), and I’ll send it to movie studios (Troma?), and I’ll send it to other corporations (Marvel Comics).

What are you hoping will come of this?
Well in a perfect world, it will somehow result in this movie getting paid off and me having the opportunity to make another one, maybe on a larger-scale. Realistically, I’ll take any sort of opportunities for growth that may come of it. Maybe this will get my foot in the door somewhere, maybe it will allow me to be a part of a bigger project, or maybe it’ll just give me a little name recognition. We’ll see. I’m trying to go in with low expectations right now.

Why’d the other actors stop posting on this blog?
Because they hate you.

I’m going to break a little news now…last night I whipped up some props that I’ll be using in an upcoming short film that’s tied to “Bagged and Boarded.” Stay tuned.